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Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)

Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)

Film: Bill and Ted Face the Music

Starring: Keanu Reeves, Alex Winter, Kristen Schaal

 

Director: Dean Parisot

Rating: ***

Reviewer: George Sylex

Overview - Bill and Ted Face the Music offers the sort of healthy, energizing glance at a musical dramedy that we frantically need now like never before. Filmed by Dean Parisot with a content by creator Ed Solomon and Chris Matheson that has been practically spread out since 2010, the film is an audaciously sweet and dumb tale about our two heroes, compelled to grow up path before their time, despite the fact that they are presently moderately aged men.

The film is the subsequent continuation and third part in the Bill and Ted series. Quite a long time ago, William, "Bill” S. Preston Esq. What's more, Theodore, "Ted” Logan were San Dimas youngsters who wound up in a time-traveling experience that likewise brought about the information that they'd spare the universe through music. Presently middled-matured and fathers, Bill and Ted are as yet searching for that hit tune, a lot to the horror of their spouses Elizabeth (Erinn Hayes) and Joanna (Jayma Mays). While the companions are getting disappointed, Bill and Ted's girls Billie (Brigette Lundy-Paine) and Thea (Samara Weaving) love them. Indeed, when Kelly (Kristen Schaal) shows up from the future for the young men, bringing about them being advised they need to make that hit now. As they attempt and blue-green the tune from future forms of themselves, Billie and Thea head to the past, attempting to assemble an unbelievable band to support their fathers.

Without the straightforwardness of the initial two films, the time travel turns out to be excessively mind boggling and weakens the stakes of what's going on. With the pair's spouses (Erinn Hayes and Jayma Mays) likewise zooming around the circuits of time for some scarcely characterized reason, you'd be excused for totally losing track. The past films had the option to luxuriate in the loosening up tone of the discourse, yet Face the Music scarcely eases back down for enough times to permit anyone to appreciate the arrival of William Sadler's Grim Reaper or the late George Carlin's Rufus, showing up through a pleasantly conveyed cut of document footage. Screenwriters Chris Matheson and Ed Solomon are on ordinarily solid structure when they're composing sparky exchange between the two leads, yet appear to be more uncertain footed as the canvas ventures into both the past, and what's to come.

Keanu Reeves is back as Ted and Alex Winter is back as Bill, with Face the Music finding the lead artists of the Wyld Stallyns on another phase in their lives. In addition to the fact that they are the two dads, with Samara Weaving playing Bill's girl and Brigette Lundy-Paine playing Ted's, but at the same time they're battling with the way that they've up to this point neglected to satisfy their predetermination. Also, the stakes are brought up in Face the Music, with the little girl of a bygone era voyaging companion educating them that the melody they're destined to compose isn't just going to make an Utopian future, it's going to truly spare the whole world. In the event that they don't satisfy their commitment to the world surprisingly fast, well, life as they probably are aware it will downright stop to exist.

Samara Weaving and Brigette Lundy-Paine are both pitch impeccably cast as the little girls with Lundy-Paine unmistakably having a ton of fun directing a youthful Keanu Reeves through both their mannerisms and way of talking. Weaving, new off her star-production turn in Ready or Not, is eventually underutilized given what type fans know she's able to do, however similarly as reasonable as Bill's girl as Lundy-Paine is as Ted's little girl. They make for an adorable team in their own right, and if there's any future to the establishment past Face the Music, it lays decisively on their shoulders and theirs alone.

Final Word - Bill and Ted Face the Music offers the sort of healthy, wide-peered toward comedy that we frantically need now more than ever. Led by alluring exhibitions and a content that savors the ridiculous humor that made the primary film such a hit, Face the Music is the healthy portion of unadulterated happiness we need at the present time.

Feel the Power of Music!

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Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)

About GeorgeSylex

Film Critic, Writer, Reviewer, Columnist

Summary
Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)
Review Date
Reviewed Item
Bill and Ted Face the Music
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3Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)Bill & Ted Face the Music Review: An Extraordinary Reminder of How Music Can Unite us in the Midst of Bedlam(Rating: ***)
Title
Bill and Ted Face the Music
Description
Bill and Ted Face the Music offers the sort of healthy, energizing glance at a musical dramedy that we frantically need now like never before. Filmed by Dean Parisot with a content by creator Ed Solomon and Chris Matheson that has been practically spread out since 2010, the film is an audaciously sweet and dumb tale about our two heroes, compelled to grow up path before their time, despite the fact that they are presently moderately aged men.
Upload Date
August 30, 2020
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