Film: Prathi Poovan Kozhi
Cast: Manju Warrier, Roshan Andrews, Saiju Kurup
Director: Rosshan Andrews
Rating: ***
Reviewer: George Sylex
Summary - Prathi Poovan Kozhi, directed by Roshan Andrews is an adjustment of a story (Sankadam)written by Unni R. Manju Warrier and the simple account which comes stuffed with strong punches, impeccable thrills, and able exchanges are the features of the movie. The story gives you many motivations to praise the non-commercial film. In spite of the fact that I won't concur that it is an elegantly composed canny film, yet, it is a film that gives itself solely to a subject without falling prey to redirection.
What's About - Madhuri (Manju Warrier), the lead woman is a saleswoman at a textile store in the town where she travels by bus every day. When she experiences something disturbing done by Antappan played splendidly by Roshan Andrews, her whole world breakdown, and she chooses to deliver retribution. This film depends on something that happens each day in this nation, even I have known about this from various individuals yet today when I saw, that in this movie, a marvelous scene which occurs on public transport, it was gross and terrible. You should watch the film to know more. Please keep your chauvinist mind at home before watching.
Script Analysis - Unni R has composed a solid, and socially pertinent story which loses steam in the second half. The standard stuff is all something you'll expect and something stuns the hellfire out of you. The drama, the tangled climax is each of the staple issues, something I was anticipating. But, it is one of those couples of times, when regardless of a feeble plot a film is winsome. There is something awesome in observing a womanizer getting kicked and slapped by Manju Warrier. What's more, that slap by the child was to the face of the whole womanizers. I do savor the applause that was fused in this film. In the climax, last shot, where Manju strolling with her bag after her attack on a man, shouting how every lady who lives in our nation, where men look at women with lust, must draw out the man in her, merits a million bucks.
Star Performances - Manju Warrier with no large makeup, harsh face keeps up her solid disposition. The actor is non-dramatic deliberately, and that did the stunt for me. She is a long way from the ceremony and show of retribution films, and that nuance takes your breath away. I am delighted that the woman has returned to a job that does equity to her caliber. Roshan Andrews is disclosure and strikingly satisfies Manju's stature. The pursuit among him and Manju are fabricated splendidly for the most part due to his conviction in rendering such splendor to his character. His word usage and twang both mix in well, drawing one's consideration much further. Anusree's Rosy is another pearl of the film. She, as a decent companion of Manju, sparkles with her splendid comic timings. The manner in which she chats with her sweetheart will make you chuckle. Grace Antony in her little job has made her imprint.
Direction - Roshan Andrews hits hard with each film. Indeed, even the conventional film 'School Bus had a lot of memorable minutes. He and Manju clearly made an intriguing showing this time. Shot splendidly with no pointless pretense, the awful scenes primarily are where he illuminates the barbarities of that unfortunate casualty through close-ups. He makes the pain with care, affectability and elegantly. Fortunately, Roshan keeps the track concentrated however I had better expectations from the climax. The development of the thrilling plot was intriguing, and I for one was anticipating that it should be finished easily. Oh! dear, the peak unfurls as long-winded, sensational and conceived particularly to release Manju's frustration over those men. The tight screenplay doesn't tear at any part and the editing keeps the film directly in all measures for the most part.
Verdict - I am very pleased to state that the thundering woman manages the show in Prathi Poovan Kozhi and easily. It probably won't be a splendid film, however, it is a film that is superior to anything great and must oversee your consideration for the topic, it raises. It is an amazing film women-driven film that only here and there turns out badly, and leaves by a message that must be heard.
