Set in rural England, the story follows a group of London criminals who take shelter in a countryside hideout after a botched job. What begins as a temporary retreat slowly becomes a psychological battleground, as their sense of control begins to erode. With cabin fever kicking in, old grudges resurface, loyalties begin to shift, and trust quickly turns into suspicion. The film leans into themes of guilt, fractured brotherhood, and the breaking point of men under pressure.
Eddie Marsan, known for his intense screen presence, delivers what looks like another standout performance, anchoring the story with stoic menace. Sam Claflin brings a layered vulnerability to his role, offering a potent counterbalance. Director Barnaby Roper, more recognized for his work in fashion and music visuals, makes a striking transition into narrative filmmaking, using shadow, silence, and tension with surgical precision.
John Patrick Dover’s screenplay appears to strip the genre down to its bones — the emphasis here is on mood, character, and suppressed violence. The film offers a mix of British grit and European noir, favoring internal conflict over flashy action. Think Reservoir Dogs meets The Long Good Friday but with a more introspective, arthouse edge. And while the setting is limited, the stakes are anything but.
As the trailer suggests, All the Devils Are Here is not just a thriller — it’s a slow-burning study of masculine fragility and decaying morality under pressure. With its release set for late September, it's positioned as a fall festival favorite and a potential dark horse of the awards season. Keep your eyes on this one.
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